Should we protect the rights of sound and music creators?
This bill would create protections for sound recording/creation rights and provide an overall license for digital streamers. The compromise at the heart of the bill is to provide a legal shield for companies like Spotify from lawsuits and large settlements. This bill creates the Mechanical Licensing Collective - at the expense of digital music providers - that will create a comprehensive, public database with information on songwriters' work, which tech companies will then use to pay songwriters. The bill also addresses the rates songwriters are paid.
(Interesting tidbit: Renamed the Orrin G. Hatch Music Modernization Act at the 23rd hour — in honor of the retiring Utah politician who also happens himself to own a platinum record.)
Sponsor: Rep. Bob Goodlatte (Republican-Virginia-District 6).
View full bill text ➔
How do you feel?
Opponents say
• “Bogan [Dae Bogan, who met with the Congressional Budget Office] added that "plenty of music industry professionals" have limited knowledge of these issues and how they work, so the government's speedy approach isn't rare, but is still not a good foundation to build a law on.” - Stephen Silver, writer at Apple Insider.
• “SiriusXM has asked that the CLASSICS Act recognize that it has already licensed all of the pre-1972 works it uses...To date, SiriusXM has paid nearly $250 million dollars in pre-72 royalties to the record labels. We want to make sure that a fair share of the monies we have paid, and will pay, under these licenses gets to performers. ” - SiriusXM’s letter detailing three requested amendments to Music Modernization Act.
Proponents say
• “...at the end of the day, we were trying to ensure that libraries and nonprofit users are protected, and also that there’s a robust public domain in these legacy recordings.” - Meredith Rose, Policy Counsel for Public Knowledge.
• “The Music Modernization Act mandates a public database...which would allow other applications to query and inform the data, thus resulting in increased matching between artists and their royalty payments. ” - Roger H. Brown, Berklee President.